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He was now at a loss what course to chuse, for he had no clue to direct him towards the object of his pursuit; but hope still invigorated, and urged him to perseverance. He was not many leagues from the coast; and it occurred to him that the fugitives might make towards it with a design of escaping into Italy. He therefore determined to travel towards the sea and proceed along the shore.,

The boat was driven nearer and nearer to the shore. “It is going to strike and we must jump for the land,” screamed Johnny. The instant after, the boat did strike, and Tellef and John were thrown head first onto the smooth beach.,

“And, if it’ll do you any good, which it ain’t, you might know that we are not only aimin’ to bust up that dam down yonder, but we’re goin’ to do it, sure. It’ll all be over by the time you get back there, though, so I reckon the information won’t help you much.”,

Conversation may be divided into two classes—the familiar and the sentimental. It is the province of the familiar, to diffuse cheerfulness and ease—to open the heart of man to man, and to beam a temperate sunshine upon the mind.—Nature and art must conspire to render us susceptible of the charms, and to qualify us for the practice of the second class of conversation, here termed sentimental, and in which Madame de Menon particularly excelled. To good sense, lively feeling, and natural delicacy of taste, must be united an expansion of mind, and a refinement of thought, which is the result of high cultivation. To render this sort of conversation irresistibly attractive, a knowledge of the world is requisite, and that enchanting case, that elegance of manner, which is to be acquired only by frequenting the higher circles of polished life. In sentimental conversation, subjects interesting to the heart, and to the imagination, are brought forward; they are discussed in a kind of sportive way, with animation and refinement, and are never continued longer than politeness allows. Here fancy flourishes,—the sensibilities expand—and wit, guided by delicacy and embellished by taste—points to the heart.

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"It is your grand-daughter, Little Red Riding-Hood," answered the Wolf, imitating the child's voice. "I have brought a cake and a little jar of butter, which my mother has sent you." The good grandmother, who was ill in bed, called out, "Pull the bobbin, and the latch will go up." The Wolf pulled the bobbin, and the door opened. He leaped on to the poor old woman, and ate her up in less than no time, for he had been three days without food. He then shut the door again, and laid himself down in the grandmother's bed, to wait for Little Red Riding-Hood. Presently she came and knocked at the door: tap, tap.,

“Water?” put in Bob.,

“Mebbe so. I dunno, but go on.”,

To Emilia this design occasioned a distress which almost subdued the resolution of madame. Her tears and intreaties spoke the artless energy of sorrow. In madame she lost her only friend; and she too well understood the value of that friend, to see her depart without feeling and expressing the deepest distress. From a strong attachment to the memory of the mother, madame had been induced to undertake the education of her daughters, whose engaging dispositions had perpetuated a kind of hereditary affection. Regard for Emilia and Julia had alone for some time detained her at the castle; but this was now succeeded by the influence of considerations too powerful to be resisted. As her income was small, it was her plan to retire to her native place, which was situated in a distant part of the island, and there take up her residence in a convent.